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MANUSCRIPT STYLE GUIDE

as a supplement to Chicago Manual of Style

CONTENTS

Manuscript Components

  • Front Matter
  • Back Matter
  • References or Endnotes
  • Footnotes
  • Page Numbers
Manuscript Formatting
  • Page Formats
  • Electronic Text Formats
  • Electronic Art Formats
  • Hardcopy Art Formats for Scanning
  • Chapter Heads and Subheads
  • Lists
  • Figures, tables, and captions
    • Electronic files
    • Callouts
    • Numbering
    • Figure Captions
    • Table Captions
    • Legends
  • Equations
  • Quotations
  • Numbers
  • Reference notes

MANUSCRIPT COMPONENTS

Front Matter

Certain items in the front matter must be created and supplied in electronic format by author. These items include

  • Dedication, if applicable
  • Contents page (Chapter titles plus A subheads. B subheads are optional)
  • Art/Captions list (required; includes all figure numbers and captions in order)
  • Acknowledgments, if applicable
  • Preface or Foreword, if applicable

Back Matter

Components include

  • Afterword, if applicable
  • Glossaries, if applicable
  • Appendices, if applicable

References or Endnotes

These notes should be grouped by chapter and placed at the end of each chapter. Number the notes in order of chapter appearance and make every reference item has a callout in the text.

Footnotes

PennWell style does not allow for footnote references or comments. References should be placed at the end of the chapter, and additional comments should be worked into the applicable text.

Page Numbers

Manuscript pages must be numbered, either consecutively throughout manuscript or at least within each chapter. If numbering within chapter, include chapter number when numbering (3-1, 3-2, 3-3, etc.). If electronic formatting will not allow required pagination, then number a hardcopy by hand.

MANUSCRIPT FORMATS

Page Formats

  • Double spaced text
  • Times New Roman or Courier font, 12 point
  • 8.5 x 11 pages
  • 1-inch margins
  • Ragged right (no justification)
  • Indent first line of each paragraph
Electronic Text Formats
  • MS Word 7.0 or MS Word-compatible ("Save As" MS Word file). Do not use Microsoft Publisher.
  • PC format (contact your editor if Mac is only available format)
  • Manual Formatting: Important! Please do not use Word Templates for subheads or outlines as they embed in the file and disrupt the page design process. The Autoformat feature is very difficult to remove at page design stage. You can set tabs, bulleted or numbered lists, and paragraph formats with your toolbars, but if you find your computer is automatically formatting anything, turn off your Autoformat feature. Again, please do not use Microsoft Publisher to create your manuscripts, as it automatically links various manuscript components, which seriously interferes with the copyedit and design process.
  • Individual files. Save each manuscript component (individual chapters, contents page, introduction, index, etc.) in a separate electronic file and label accordingly
Electronic Art Formats
  • TIFF, EPS, PICT, or Bitmap files are acceptable in the following resolutions:
    1. 1200 dpi minimum for line art
    2. 300 dpi minimum for halftones or photographs
  • The following formats are not acceptable:
    1. Art submitted in Power Point format. Any art created in Power Point should be saved in TIFF format for submission.
    2. JPEG files from the internet and other screen captures
All electronic art should be submitted in separate files from the manuscript. Manuscripts containing embedded electronic art will be returned to the author for removal.

Hardcopy Art Formats

If it is necessary to have PennWell scan the camera-ready artwork from hardcopies, the following formats are acceptable:

  • High quality (300 to 600 dpi) laser printouts
  • Original photographs, slides, or negatives
  • High quality manual drawings
Note: Samples of hardcopy and/or electronic art should be submitted with the book proposal for design review, to avoid incompatibilities after the manuscript has been developed. PennWell reserves the right to determine if art is of acceptable format or quality for publication. If you would like to discuss art requirements with our designers in advance, ask your managing editor to arrange contact.

Chapter Heads and Subheads

In contents and chapter heads, chapters should be identified with numbers only, in Arabic numeral form (for example, not Chapter One but simply "1."). Heads should be formatted as follows:

Chapter head: This is the chapter title. It should be centered at the top of the chapter underneath the chapter number, in all caps. For example:

1

THE KINETICS OF GAS HYDRATES



A-head: Primary subhead. Formatting is centered, boldface, and in upstyle (first letter capitalized). For example:

The Kinetics of Gas Hydrates



B-head: Secondary subhead. Formatting is aligned to left margin, boldface, and downstyle on a line separate from the applicable text. For example:

The kinetics of gas hydrates
C-head: Tertiary subhead. Formatting is boldfaced, downstyle, and run into text followed by a period. For example:

The kinetics of gas hydrates. Many articles have been written concerning the process of gas hydrate formation. . .
D-head: Rarely used, but sometimes necessary in extremely complicated text. Formatting should be italicized, downstyle, and run into text followed by a period. For example:
The kinetics of gas hydrates. Many articles have been written concerning the process of gas hydrate formation; however, very few. . .
If you are considering the use of an D-head, more than likely you actually need a bulleted or numbered list, or a different method of organization. Consult your managing editor before resorting to D-heads.

Contents page should include only chapter or component titles plus A and B subheads (B subheads are optional, but use no subheads below B level).

In manuscript organization, it is important that heads and subheads are used consistently and in order. In other words, a C head should never be used unless preceded by A and B heads in the organization. If you find yourself skipping levels in organizations, chances you need to rethink the organization (again, moving to a list format rather than subhead).

Lists

Bulleted and numbered lists should always be indented equal to paragraph indentions. Numbers are aligned on the periods that follow them. Leave two spaces between bullet (or period) and text. Runover lines should be aligned with text, not wrapped around underneath numbers or bullets. For example:

  1. Lists should be formatted for a clean appearance and be easy to read.
  2. Both Microsoft Word and Wordperfect programs can automatically format your lists in this fashion.
  3. Always leave a blank line space before and after your list for easier readability.

List items only need closing periods when they are complete sentences. Lists consisting of incomplete sentences require no closing commas, periods, or semicolons.

Figures, Tables, and Captions

Electronic files. Figures (or photos), tables, and their corresponding captions should be kept in a file separate from the text files. Do not embed your electronic figures in the text-the page designer will make those placements at the design stage. If the author wants to instruct on approximate figure placement, simply include a bracketed insertion note in all caps as follows:

[INSERT FIG. 2-7 HERE].

Callouts. Figure numbers should always be "called out" in the text. This text reference allows the designer some latitude for optimal page design. If there is room to place the art immediately following the reference, it will be placed there. But if page design or art size restricts the placement to another location or page, the text callout will insure a proper connection with the text for the reader. For example:

Like a forward contract, a futures contract costs the seller almost nothing. The transaction fee costs about three cents per barrel, but the seller is required to sacrifice his upside price potential in exchange for elimination of downside price risk (Fig. 2-3).
[The author should include the text callouts in the manuscript to insure that references are made with the most appropriate sentence or paragraph. Do not depend on the copyedit for placement of callouts]

Use Figure/table number in file name for proper identification. If captions are also included in the figure file, make sure they are not placed within the framework of the figure.

Figure and Table captions should all be provided in a separate list from the text (Art/Caption list), numbered in order of their manuscript appearance. The captions in the art list do not have to correspond exactly with the captions under the figures. If a figure contains an extremely long or unwieldy caption it should be shortened for the art list.

Numbering. Figures and tables should be numbered by chapter and then by order of placement in the chapter (the third figure in chapter 1 will be designated Figure 1–3, and so on). When referencing a specific figure number in the text, the word Figure should always be capitalized and should be spelled out except in parenthetical references (Fig. 1–3). The word Table is capitalized, but never abbreviated. (COPYEDITOR: Both figure and table numbers should be separated by an en-dash-not a hyphen).

Figure captions. Figure captions should be located at the bottom of the figure, with the caption flush left to the figure margin. The caption starts with the Figure number and continues with caption text in upstyle, with additional lines wrapping to the left figure margin if necessary. Unless there is additional descriptive text following the caption, there is no period at the end of the caption. Abbreviate the word Figure to Fig. in the caption and use an en-dash, not a hyphen, in the number. For example:

Fig. 1–3 Form of Water Molecule Aggregates
Table captions. Although numbered and referenced in the same manner as figure captions, table captions are placed two lines above the table, with the caption flush left to the table margin.

Legends. Sometimes a legend is required to give more information about the figure. A legend is an explanation consisting of one or more sentences (on a map, the legend is the key to the symbols used—something quite different from what is described here). In contemporary practice the legend is now commonly run in behind the caption in downstyle. For example:

Fig. 1–3 A Group of Artifacts from Site 3. In all these objects the high degree of finish and the aesthetic appeal are notable.

Equations

An equation and its expressions should be clearly set it out from the text. The equation itself is centered, with the equation number set flush right on the next line. Expressions are aligned below the equation in a block indention, table alignment, as follows:

AM=Kq/r(3.16)

where

AM = salting out activity per 1 gram-ion
K = proportionality coefficient, m/Coulomb
Q = ionic charge, Coulomb
R = ionic radius, m

As with Lists, equation expressions are punctuated in open form. Unlike Tables and Figures, Equation numbers will always use a period (not en-dash) to delineate between chapter and equation number (3.16). The word "Equation" is capitalized in text and abbreviated to "Eq." in parenthetical references.

In mathematical copy, letter symbols, including superscripts and subscripts, should all be italicized unless marked otherwise. This applies to both the equations themselves and in variable references within text.

Make sure all superscripts and subscripts are properly sized, placed, and formatted.

Quotations

In the body of the text, a quotation of four lines in length or more should be set out in indented block format (left and right indent), italicized, with no quotation marks surrounding it. Quotations of less than four lines may remain in the paragraph in roman face with quotation marks.

In an italicized block quotation, a book title or other name that would normally be italicized to stand out from roman face should be set in roman face to stand out against the italics.

When a quotation is used to open a chapter, it should be formatted as a centered block indention in italics. The author's name should follow on a separate line from the quote, flush right in the indention in Roman face.

Numbers

There is no such thing as "over" in a numeric quantity. An author has more than 20 years experience, a field may contain more than 30 wells, but they will never be over those numbers. Over is used for an object that is above another object.

Numbers should be spelled out only up to nine (PennWell style—not CMS). Beginning with number 10 use Arabic numerals. The only exceptions to this rule are

  1. If your sentence begins with a number, spell out the number, but first consider recasting your sentence to avoid that placement
  2. When using numbers one through nine with a percent symbol use the numeral rather than spelling out
  3. For consistency of treatment within the same category (see below)
Numbers applicable to the same category should be treated alike within the same sentence or paragraph. Do not use numerals for some and spell out others. If you must use numerals for one number in a given category, then for consistency use numerals for them all. For example:
There are 5 graduate students in the philosophy department, 56 in the classics department, and 117 in the romance languages department, making a total of 178 students in the three departments.
Note in the example that numbers in the same context (sentence or paragraph) but representing different categories may be treated differently.

Reference Notes PennWell style places reference endnotes at the end of each chapter rather than as footnotes or book endnotes. Make sure your references include all necessary article, journal, and book titles, author names, names of publishers or publishing societies, and dates.

Reference note numbers within the text should be placed at the end of the applicable sentence or paragraph (not in the middle). Place reference number superscript immediately after the final sentence period. For example:

Like a forward contract, a futures contract costs the seller almost nothing. The transaction fee costs about three cents per barrel, but the seller is required to sacrifice his upside price potential in exchange for elimination of downside price risk.5